Gordon Hales

[…]ng as was on the discussion between the captain of the station, the group captain and the Wing Commander, as the tactics, there was all but done with sets the GPO Film Unit had before it moved to Pinewood to Denham contracted Edward Carrick who was professional set designer. And he devised a sensati[…]

Joan Kemp

[…] which just held a hundred people. We built all the sets ourselves, myself and Peter Godfrey and his brother, he […]

Hazel Allen

[…]ced he was a wonderful restauranteur. And they produced the most marvellous True Stories of all the things he'd been through with all the old musical artists once they got into the fall music fall. They, when he eventually came to Brighton Manley Coventry Hippodrome, he was a Brighton Hippodrome bec[…]

Gerry Humphreys

[…]ount of light on that.  I don’t know why that one should stand out [20.54] but I can remember the stage being so hot – there were some great big sets on it I guess and everything was being lit by great arcs and everything and the heat factor, the extracts could never take out what they were gen[…]

Pat Jackson

[…]n't remember the man's name now... Bryson I think his name was. A Scot, who'd got a very good degree in art. And, um...Harry was worried about rocker sets and so on. He said, "The trouble with these damn rocker sets, they're all going to squeak and it's going to be awful." And Bryson said, "why don'[…]

Gordon McCallum

[…]anything, I would say, and hadn't any clear idea what I wanted to do...I just wanted to get to work. I was interested in radio, so I was making radio sets and reading and that sort of thing...and electricity. And I became acquainted with a chap on the Hampstead Garden Suburb where we lived...one Ron[…]

Pat Jackson

[…] good degree in art. And, um...Harry was worried about rocker sets and so on. He said, "The trouble with these […]

Pat Jackson

[…] good degree in art. And, um...Harry was worried about rocker sets and so on. He said, "The trouble with these […]
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