[…] I was interested in radio, so I was making radio sets and reading and that sort of thing...and electricity. And […]
[…] wasn't he.Fred Tomlin: Oh that's right, yes. But I got on all right with him because you see the thing is that the boom swingers are always near the artists, you're always round about so they get to know you, you see.Bob Allen: Yes, yes.Fred Tomlin: And having worked on several pictures, of course […]
[…] it was very m uch, you know, three -wal l sets, you know, straightforward proscenium arch theatre . Now it […]
[…] I remember, right at the end of after the moon sets were almost almost finished, they were doing the extra […]
[…] was so exciting to see these little models on the sets of these special effects, you know, and the rolling […]
[…] he said, "You're not a boom swinger, you are an artist." [Chuckles] And I thought that couldn't be more complimentary! […]
[…]times get a director, or a film editor, come and sit in on the colour grading aspect of things because they would have an idea of how their, sort of, artistic vision of how they wanted the material to look… would be. But otherwise we tended to get fait accompli, you know, completed material, and thi[…]
[…] were extremely strict, you know, he wouldn’t allow the BBC to borrow, that only happened after him. He said, if you once borrow, even against your assets, which were enormous, you will be in hock and every time you want more money you’ll have to ask for a... and that’ll get... you know, so he never[…]
[…] a way, because it’s so rapid, that decay: once ‘vinegar’ sets in you ha ven’t got very long to save […]
[…] a lot of work for us in those days, the artist, and Michael opened the door and said, ‘My God […]