Rebecca O'Brien

[…]ig house. We the house that they bought was a was a ruin, and my mother basically did it up from scratch. She was very talented interior designer and artist, and that's what she she did, but she didn't have she had a lot of problems as well. She was a manic depressive, as it was defined in those tim[…]

Clyde Jeavons

[…]r, which was the first manifestation of vinegar syndrome6which is even worse than nitrate in a way, because it’s so rapid, that decay: once ‘vinegar’ sets in you haven’t got very long to save the film, and its also incredibly contagious. That’s how Harold came back and did a little paper on what he […]

John Shirley

[…]y keys because he laid the expense of of the models that were being shot. Going over over budget at my door. At the same time. Danny angels, producer sets me the easiest thing in this world is to say yes, he said, You keep saying no if you're not satisfied. So I didn't get enhanced my reputation to […]

Ray (Ramon) Morse

[…]  28:13  where we didn't have any unions in my day you see I mean, that film I said Hullo Fame that was a musical designed designed all the sets I did all the makeup I was in it I wrote the ballet I painted the set made all the props I did everything in it I mean they're all separate union[…]

Adam Dawson

[…]p;And I think Feyder was all right, and we had Lazare Meeson was the art director who is a very good man. And I was always interested in revamping of sets which are done quite often. just changing a bit.  you had your stairs, leave the stairs in and  change things around. And the[…]

Vernon Sewell

[…] all wonderful." Of course when I got to it, the sets were terrible, the whole thing was a disaster, disaster. […]

Evangeline Harrison

[…]as almost identical. But that was Clive when he still cared. He lost it completely in the end.PF: Did Clive have much input?EH: No. No, he had not an artistic cell in his body. He was a sergeant in the army. No, he was very good Clive, he did some good films in the beginning too. What was it called […]

Interview

[…]always been taken over and what have you and we will used to get these menus to come in from Hollywood and query what we were spending on extravagant sets, you know, do you need to have an extravagant set? Well, you certainly need it for a Bond movie, don't you? Otherwise you what do you do? I mean,[…]
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