Search Results for: Sets Artist

[…]                 Danzigers, small studio, cheap productions, revamped sets, but opportunity for TAS to progress quickly09:22 -                &nb[…]

[…]started talking about setting up our own little editing company. And and eventually after looking around looking at premises and stuff we, we did. He sets up tanggram post production, which lasted from hang on my jumping ahead. No, that's really nice last year from 85 to 2013. That's pretty good run[…]

[…]r crew were... the camera crew and the assistantsweren’t all that efficient actually. An awful lot of chattering went on, you know. Not likethe quiet sets that David Lean had. Then there was Much Ado and that was the last one. Oh, Henry V, of course I got an Academy award for. Then th[…]

[…] said, "We've got the stories, everything. All we want you to do is to do the animation, black and white." Because the colour hadn't come in then, in sets, you see, not many. So I said, "How much?" "Oh, five minutes, eight hundred pounds." "Oh" I said, "Eight hundred pound?" I said, "I couldn't get […]

[…]tion in Los Angeles and then went to Cleveland and did the thing back to North Carolina to do the set. Oh you keep going back to North Carolina to do sets maybe because it is much more economic to work there. Well. My son my story which was a sequel to one that Paul Clark did many years ago about tw[…]

[…] I'm sure I'm sure a lot of them couldn't tell you what myrad?number was or anything you know. They're completely non technical. they call themselves artists but was it they used it as a painting with light? And today? I think they distemper with it. they don't paint?Alan Lawson  19:51  Di[…]

[…]Well sometime after that, The Gate Theatre, and I came and then there was what’s called ‘The Great Split’. Hilton and Michael, who had really made it artistically and were fantastic as a pair, they had an invitation to take two plays to Egypt. Lord Longford (who was the boss) didn’t think it was a g[…]

[…]nding now. All the xxx water, the crumbling building, waterlogged basements, this was filmed. The filming on television had another reason, it had 28 sets and only one studio, we had studio 4Norman Swallow: At Lime Grove. So the 28 sets were in position, but to give the cameras time, there were 3 ca[…]

[…] operators. Which meant you had to learn the rudiments of electricity and magnetism and wireless, you know, but it's very early days, you know, spark sets and all that. But they had all this equipment, which we were trained on; duplicates of Marconi equipment that would be on a ship. So after a year[…]