Search Results for: Sets Artist

[…] mother, you see, had been... she was a very clever artist. I'll show you later something of hers. But she […]

[…] were still used to the idea of talking to the artist while they were performing. Dean was a great theatre […]

[…]that. So this, this was the equipment that this is from the American catalogue. This is the RCA TK 10. And the BBC acquired its I don't know how many sets of these they have. But these were the ones that were commonly used, particularly in the MCR six, seven, and eight. And it was one of those that […]

[…] writers like Scotland Simpson And so here we go. Gordon Simpson, our writing for Tony Hancock for the last six shows of calling all forces. And that sets them up then for what is really quite a complicated period in Tony's broadcast career. Because there are then a number of series called Star bill[…]

[…]th it and taken with him. And he was she was about to make a musical, which was a sort of musical journey through Paris with with various guest guest artists on Route. And he got the job. So I read about that. And I thought, I've got a tract on Eddie Moto, which I did. And I told him what I wanted t[…]

[…]much, later. I had harmony on everything. (TIME 29.56) I think I am a little bitlike devil’s advocate and a bit of stuff goes on in my stomach with upsets, but it never has to go beyond there. So, everything was fine. Everything was fine, and I did a film which was not fine for anybody else but was […]

[…]e was pretending to be a politician. He was giving a spontaneous speech from the platform.Peter Birch : Yes, I remember it, but only vaguely. So many sets, so many different scenes to remember, you know that, with the years and the other things. It'll come back if somebody mentions something that ri[…]

[…]ere shot till 12 o'clock and we couldn't get home, we used to sleep in a dressing room, get called at six, have breakfast in the canteen and read the sets ready for the day shooting as if the artists were not impairing a picture. We used to then hang about all day till they got back about 11 o'clock[…]

[…]nematographer who had never worked in colour before; Eastmancolor film was processed in a lab in Leningrad; The Winslow Boy with Anthony Asquith – an artist’s director; in the early days cameramen really knew little about lighting; David Lean was the director who had the most impact on FY – felt you[…]

[…] : Yes, I remember it, but only vaguely. So many sets, so many different scenes to remember, you know that, […]