[…] no editing, it would just be live interview with an artist.’ And there is a place for that. Obviously in […]
[…] take the director and his wife, who was a make-up artist, who I didn’t know, and I sat next to […]
[…] said from now on I want you to make two sets of books, one in pencil…. And he said not […]
[…]as some, I remember one effect, it went from black and white to colour. We'd made some of the stuff black and white and there was a shot of a make-up artist just painting make-up on one of the faces, and just kind of, iris wiped, the kind of colour out from there and somebody said, "How did you do t[…]
[…] and apply for grants, and get a new bed. There was a functioning welfare state. Yeah. Yeah Even in the eighties as well, when there was lots of artists that came out of signing on during that time... I certainly did that. I graduated in June 1979 with a Humanities degree, third class, hon[…]
[…]I think it went.00.28.28NA : Do you remember many of those early Rank photographic sessions?CL: I was literally doing four sessions a day of contract artists and some were very difficult and some very easy. But the difficult ones turned out to be the most interesting ones. I can remember A.E. […]
[…]sted that I be known by my married name, he said he wasn’t having anything not known about... [Laughter]None of this mm...None of this...None of this artistic thing, you know, keeping your maiden name? Yes. [Laughter][Laughter] Yes, yes, yes, that’s right.Mm.And it got quite confusing for a while in[…]
[…]wouldn’t have given us, wouldn’t have allowed so many of us on the plane. We did, I remember, take the director and his wife, who was a make-up artist, who I didn’t know, and I sat next to his wife and was talking and he was assing about, oh God, assing about at something, and not knowing that[…]
[…]he finishing touch to that amount of reality. Anyway, so I wrote all that in, and of course they were all very pleased. Now we had to cast it, do the sets, budget it, find the locations - and we did all that in the week. And I got John Neville, who I knew, to play the lead, and rallied round some ot[…]
[…]it felt like to be suddenly in front of a camera at 8.30 and told to get on with it. I remember being directed by Basil Dearden once where he had two sets going at the same time at Ealing and I was on one doing a small part in something. They were shooting on the main set as well, and he kept runnin[…]