[…]you never see as an ordinary traveller.I think it's an amazing job. I mean unless you've got an incredible natural creative talent as amusician or an artist or whatever it is I can't think of anything better than makingdocumentaries really.SRThanks very much, that’s a good note to finish on.JBWell i[…]
[…]etre and particularly out of 16 millimetre synched sound and here you could see this wonderful stretch from 16millimetre non-synch which produced the artists’ films associated say with the London Film Maker’s Co-op and the great films of the new American cinema that was really beginning to influence[…]
[…]. But it was good experience I think, at least I was handling actors, because the actors I had were not good actors, they were just practically crowd artists y’know, who didn’t respond to direction at all, and didn’t – you know, it was useless talking about motivation or anything like that, but even[…]
[…]ce of Arabia with David Lean; JB met lean in Paris to talk about the project; JB, Lean and Sam Spiegel went to Jordan to recce for Lawrence; 60 or 70 sets were built for Lawrence in the desert and Spain; JB talks about the living conditions in Jordan.Side 200:00:00 – 00:09:50 Lawrence of Arabia; Dav[…]
[…]based on readings from the original cassette recording.The copyright of this recording is vested in The BECTU History Project. Peggy Rignold, make-up artist, later to become Mrs Hyde-Chambers, wife of the film editor, and later to work for Lew Grade as an administrator. Recorded on the twenty-eighth[…]
[…]with the orchestra, it was fun. There was an old Italian trombonist, that made love to me all the time while I was playing. It was nice; being a solo artist is a lonely life, you’re always on your own, but when you’re with an orchestra, there’s people around you, you can have a laugh, and I enjoyed […]
[…]hat, we’re interested in that painting, why did he paint it like that?’, and I’d never … never really seen that. I mean I did lots of interviews with artists that John Reed used to do, and things like that, but never actually working out the detail, the mechanics of why they did things … NS And[…]
[…]ing we used that as a studio. And a Granada bloke camealong and put little sets, and they looked as if they were at home, but ofcourse, they weren't. So&nb[…]
[…]y valve down, otherwise we won't be able to pull the train. How it didn't blow up.SC: It does appeal to that childish boy thing about elaborate train sets as toys, when you can have a real one to play with and get paid for playing with one.CC : And such a pretty one.SC: The Lover Lottery, The Divide[…]
