Chris Strachan

[…] Threadgall  23:15  think on one occasion, they abandoned one show, and people wanted to come back in. And so they had two or two sets of audience, that's right, sort of like, yeah. So they had about what, 400 400 500 people, oh, yes, more than that. What was the original capacit[…]

Bobbi Riesel

[…] Oscar and I were not great art appreciators. We didn't think we had any great insight into art, but this was just something that appealed to us. The artist was called PJ crook. She is a very petite, little lady, very slim, very small, and does the most wonderful modern art. And we were so taken by […]

Ron Goodwin

[…]aid, Okay, fine, you know which I did. And then George gave me a contract to record on my own as Ronald Goon and his orchestra and to accompany other artists. So get your own orchestra. Was that, oh, they were session players, you know, we used to, George used to say, I think you should do, you know[…]

Michael Aldridge

[…]it isn't these days. He would make sure that the director was contracted earlier so that he got both familiar with the script, he would make sure the artists had good, more, rehearsal time.  It costs money up front, but it saves money on location. And invariably now ... when I left, I used to s[…]

Ron Moody

[…]her Ron Moody  12:43  it's, yeah, it could be that it's, if you believe in reincarnation and the Hindu concept of SAT sarma, sets, not sat, I think of karma and karma. Karma is the moral side of it. Yeah, you get what you've done, you get paid off for what you done, but sat […]
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