billywilliamsbectu-tape2

[…] using this technique in the studio and putting ceilings on sets, but the majority of cameramen at that time were […]

edward-carrick-history-project

[…] showing them sketches, showed them little tiny models of the sets which was brilliant, because it allows for the camera […]

Jimmy Wright

[…]ly was beside himself. He's quite quite funny and I'd hidden on one of the sets when I first arrived at the studio and uh I knew sooner or later I'd&n[…]

Rodney Giesler

[…]And that was on an old anti-aircraft site on Hampstead Heath. I was excused boots and did no guard duties at all. My job was mainly overhauling radio sets at London District. And in the evening when I knocked off I was on the Northern Line down to the West End.John Legard: Catching up with your movi[…]

Elizabeth Furse (née Wolpert)

[…]e man, and he was quite professional, you know. He was, he was sort of, you know, he was a technician man basically. No feeling for what's called the artists or anything, you know. But they did it themselves, you see Arthur Askey was very clever, he was a very good director himself, you know, and he[…]

Jill Craigie

[…] as we are with the greatest standardisation of living, the artist will have a great part to play in bringing […]

L

[…] we had none of that. Rodney Giesler : Were the sets more like theatre sets in those days? L.P. Williams […]
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