[…]e of the overhead gantries and running tackle and all that sort of thing, that came with sound studios, we had none of that.Rodney Giesler : Were the sets more like theatre sets in those days?L.P. Williams : Much more, yes, a lot of stage bracing and canvas flats and ... Funnily enough of course, th[…]
[…]for much of my career I was Leslie Reed, and people know me as that really. And my job title is a film and television casting director for supporting artists, and I also cover. I'd have covered photographic work, music videos and training films.Ray Pascoe 0:47 And what is the main job of[…]
[…]n but our set decorator did and he unfortunately died there, there was a big panic about set decoration. So we got Vernon Dixon in to do the interior sets back at Pinewood and I took over the volcano.PF: You mentioned Funeral in Berlin, what was the difference between working on Bond and going […]
[…] What was it like making these?Jill Craigie: I only wrote the scripts. And then suddenly I wanted to make my own film, I wanted to interpret what the artists and the town planners were saying to mass audiences.Interviewer (unidentified): Why did you think that was important?Jill Craigie: Because it […]
[…]y family unit. The films we shot in the studio was called Stop Yes, George Wynn, as I say, that also shot outside, but also built some very, very big sets in the studio itself. There was one film called Men of the People, but an unknown star called Bill Owen there was also for another production, th[…]
[…]t of things in their museums. We went round the Czar's apartments in the Kremlin and saw all the beautiful pictures painted by all the famous Italian artists on the walls and hanging large pictures. We went through the underground system where the stations are like museums with beautiful paintings o[…]
[…] all the beautiful pictures painted by all the famous Italian artists on the walls and hanging large pictures. We went […]
[…]p the original loops, he re shot that scene in the car between Audrey and Albie near the end. So there had to be looped. And there were now two sets of loops.Andwe came back to London. We were looping Albie Friday morning, Friday afternoon Friday evening, Saturday, Saturday, I am finished Sund[…]
[…]ok and cranny in the studio. It took about two h ours.SPEAKER: M10Every stage and you had to put down his pad. Exactly what everybody was doing. What sets were being built. The reference numbers. So as soon as you get on the stage your first person you ask was the construction manager. He's a guy wh[…]
