Gerald Chambers

[…] came out of the Air Force. And then the local village set up an opera society and and a drama group for the opera society I designed and painted the sets and helped with makeup. And with the drama group I acted.John P Hamilton  7:56  And that was the first step. The first step in the righ[…]

Keith Ewart

[…] weren't.Roy Fowler  32:11  That's the lingering memory. Yes,Keith Ewart  32:16  I can show the majority of commercials were with sets. Majority were with sets, white commercial.Roy Fowler  32:27  Remember one? But even your very liquid ones, which stick in my mind, has[…]

Wendy Toye

[…]as a guest director and he would come in to direct for Anglia, because Anglia was very small in those days, therefore the big plays requiring lots of sets were having to be done at Wembley. But I met him there and he was a very fatherly man.WT: Do you know who I first worked with for television, Mr […]

Chris Kelly

[…]ckey pretty much always a lackey. And, but there was a great education, but I you know, editing was just always going to be for me, used to go on the sets. And I found this, you know, this, the actor going on the set was rather boring, low hanging around, you know, people shouting this and shouting […]

Mat Irvine

[…]ause you have to be a bit well, we're weird working in effects. Obviously there was Jack originally who was the manager of the parliament Jack was an artist. Bernard was senior designer and Bernard was an engineer. He worked at Kingswood Warren, the BBC is engineering division. So in that way, it's […]

Graham Hartstone

[…] as part of the background. And on top of the sound department was an enormous enormous glass mat where it was quite fascinating to go up and see the artist painting in the rest of the world. So they would have an establishing shot through the glass mat. Jumping to a bit later that when they had did[…]

Joe Busuttil

[…]p;      The copyright of this recording is vested in the Bectu History Project. Joe Busuttli - Studio Electrician, Artist, man of many different talents. Interviewer - Alan Lawson.  Recorded on 30 June 1997. Side 1 Q     […]

Chili (Dorothy) Bouchier

[…]shooting stage, sound stage?CB: Well I suppose...there were big rooms, it was a big old house, a big old fashioned house. Oh they were fairly big the sets, yes. Yes. It was on that that...Max Roche my former agent and former fiancé, he was taking the stills, he was a still cameraman, yes I: Kay Wals[…]

Ann Turner

[…]ries talking about now Royal Houses I beg your pardon.Ann Turner  34:58  Yes, yes. I mean, it I think it must have sold tremendously in box sets tremendously. And I to go jump ahead, I had to go back to documentaries to make the rejig programme nine programme 10, which is called the Queen […]
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