[…]rightly, would be in evening dress. I mean to say, they were never seen by the audience or anybody, but they nevertheless were in evening dress and a black tie.Roy Fowler: Well audiences used to dress in those days, didn't they?Joan Kemp-Welch: Oh, the audience, you never sat in the stalls[…]
[…] I interviewed quite a lot of dancers with me off camera and Humphrey interviewed Cranko and spoke the English commentary in the end. We edited (Noel Shannon) the English version and then found the German version wouldn’t fit because it was longer. We solved the problems quite well until it came to […]
[…] just went down the street. It was down. So to go from there in November 47 I suppose it was over to New York. I mean, it all started with landing in Shannon and having a POA steak on a steak. I mean, I'd not seen anything like that even in Germany, because the meat wasn't all that common. And then,[…]
[…]plane, got in the cars, we went and bought wine. And by the time we arrived in the location up the mountain somewhere he was forced down to debt into Shannon out there somewhere. And the crew were all quite happy and we were all ready to work. You know, we never divulge what we're doing till we got […]
[…]driver and his farm and meat. And I was to make a film which was working title was speed up. But in the end, it was called work in progress. And john Shannon was the assistant producer there I should have said and work in progress was a film with five separate sections. All linked together, we had a[…]
