Search Results for: Shell

[…] significant behind-scenes influence on the advance of oil filmmaking, particularly Shell’s. On the home front, he became trusted right-hand man […]

[…]anise the whole thing that we had to start at six o'clock in the morning, they had to have their proper uniforms taken off, and our uniforms torn and shell blown and full of gunpowder, we had to make them up with bandages, like the men coming back from Dunkirk. And it's one of the most exciting scen[…]

[…]ing. I remember the first swimming programme John and I did for grandstand about two months after I started working for them, and that was a bit of a shell shock for both of us, I think, because, you know, in those days, you had to get the numbers. It was like horse racing. I had to get the numbers […]

[…]rk fiberglass front on this tube, but they'd forgotten to take cock fosters off at the front of the train. So with that, winner sort of went into his shell, and at the end of the day, he came up to me and he said, every film from now on, you watch with the editor to check there are no more cock ups.[…]

[…]enticeship in Bristol with a very famous firm of retinal Dolman and Rogers, who are precision engineers. And then he he became a ship's engineer with Shell tankers. And then he went on to have a base case he saved all his money, because of course, you couldn't spend it because you were at sea all th[…]

[…]got another slot.Speaker 1  40:38  And I also remember Nadia Hussain being interviewed, she was really early in her career so she was a bit shell shocked being interviewed. AndSpeaker 2  40:44  the funny thing is that on the way here, I was speaking to her brother soSpeaker 1 &nb[…]

[…]ughter, hilarity. And, yes, little going over the top and I have to say, I think for me, they were so extrovert so large, that I probably went into a shell if you like, because all I would do was to listen and to laugh. And that was in those days when I was only probably, you know, 789, whatever, yo[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

[…]a very expensive material on top. They had the patent for that. Victor couldn't use it. You see, Victor couldn't get records was quiet. They were all shell act records. Then, you see, but then we changed over to Victor because they wanted the artists, all these things get done by the by the commerci[…]