Jan Zilliacus

Jan Zilliacus Tape 1 Side ACOPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publ[…]

Noreen Ackland

[…]who was I mean, he came as if he and I had claimed to work in Hollywood and cutting through Um, sir, he may well have done, but he was suffering from Shell Shock. We used to take lots of trims home in his pockets and things like that. And he would and then he disappear of a museum or something. Anyw[…]

Gerald Chambers

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

Hugh Attwooll

Alan Lawson  0:00  copyrighting of this recording is vested in the back to history project. Hugh Attwooll Feature Film Production Manager. Walt Disney's UK representative interviewer Sid Cole recorded on the 19th of November 1993 at Pinewood side, oneHugh Attwooll  0:31  we go, r[…]

Lois Singer

Lois Singer Side 1 Recorded 16.08.93 The copyright is vested in the BECTU History Project. Joyce Robinson  0:02  The copyright of this recording is vested in the BECTU  History Project.The name of the interviewee is Lois Singer. Her last discipline and gr[…]

Maurice Askew

BECTU History Project - Interview No. 294 [Copyright BECTU]Transcription Date: 2004-03-15Interview Date: 1972Interviewer: Jim ShieldsInterviewee: Maurice AskewTape 1, Side 1 Jim Shields: This is a recording made in 1972 at the Gate recording theatre at Elstree, of Maurice Askew, who was th[…]

David Robson

[…] in cinemas, you know - "16 mil. - pah!" But Shell were using it already, they were making a lot […]

Charles Bennett

[…] had to go into the teeth of machine gun and shell fire and things like that. Usually about half the […]
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