[…]ey.NS: Mm.DMW: So, we invented Alf Garnett. We did a flight over Wapping in a chopper [a helicopter]; to save money we hopped aboard somebody else's: Shell UK paid for it, not us.NS: This is you and Johnny Speight?DMW: This is me and Johnny looking for an area that will encompass all the locat[…]
[…]y training really at all. What happened was quite amusing.I was put into modern shell which was where people returning from Empireoutposts who had got the wrong syllabus,[…]
[…]hen it was taken over by a motion picture company - I'm not at all sure whether it was Paramount or something like that. And they used to make silent films round there, and occasionally they would enlist some local people for crowd scenes, everybody would be in it from round about you see, and there[…]
Yvonne Littlewood DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). ([…]
[…] living room of this cottage and the bedroom in the shell of an empty cottage and match it in with […]
[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]
[…]of documentary film because films had quite a lot of money.SPEAKER: F12They had film offices they had directors on the board particularly of Unilever shell. I see eye to name a few who were light films and British Transport films of course most other who they realized the value of films for training[…]
[…]like that so we had to take over another place and virtually rebuild it, we did actually build the living room of this cottage and the bedroom in the shell of an empty cottage and match it in with the exterior and I don't suppose you remember there's this steep dip into the cottage from the road whe[…]
