[…]not because when Rank took over, he may have taken over at that time butit was after the war that he became visibly, all Rank pictures became Rank at ShepherdsBushRoy Fowler: Maybe at this time he was acquiring cinemas as much as anything.Maurice Carter: I think he wasn't so much into production by […]
[…]0. This is Margaret Thomson and John Taylor interviewing. So Charles let's start from the beginning...Charles Wilder: Well I first went to Shepherd's Bush in 1924.Margaret Thomson: Yes.Charles Wilder: That was the Gaumont Company. And um...Margaret Thomson: How old would you be then?Charles Wilder: […]
[…]and when I came out - we all joined at about 17 or 171\2, all of us, we were all potty - anyway I got through and came back and started at Shepherd’s Bush and I went to the darkrooms there. And there was a chief in my section, negative development section - we used to develop the negative and make t[…]
[…] I got through and came back and started at Shepherd’s Bush and I went to the darkrooms there. And there […]
[…] Regent Street, and then began at the Gaumont British Shepherd’s Bush studios as a clapper-loader. He worked at Gaumont British […]
[…]Yes...[chuckling.]Alan Lawson: Now let's come back now to...Leonard Harris: I'm wandering a bit aren't I?Alan Lawson: Well let's come back now to The Bush...Leonard Harris: Yes.Alan Lawson: How long did you stay in the central loading?Leonard Harris: Oh well, I was talking about this fellow Frank Co[…]
[…] variety of studios including Wembley, Cricklewood and Islington. At Shepherd’s Bush studio he got his first experience as a boom […]
[…]e spot rail and he said, "Would you be interested in a job on the sound?" So I said, "Well, what...?" He said, "I've had a phone call from Shepherd's Bush" - which of course was our parent company - "and they want a boom operator." So I said, "Well I don't know anything about it." So he said, "Well […]
[…]after a year and a half, I was still in touch with Frank basil. And he'd gone to first of all been to healing work to do even now he'd got come on to Shepherds Bush. So he called me one day and I phoned me one day and told me there was a job going in the central loader room at Shepherds Bush. Are th[…]
[…] the 1930s he worked as a sound engineer mainly at Shepherds Bush, under directors such as Alfred Hitchcock, Victor Saville and […]
