[…] understand it. REN ÉE GLYNNE: Yeah, yeah, yeah. DARROL BLAKE: Shepperton, possibly? REN ÉE GLYNNE: No. They were one -hour […]
[…] Because he was very impressed because when we were at Shepperton he said, "I don't what to post-synch in that […]
[…] that when later on I worked mostly at Pinewood or Shepperton, or wherever, you didn't mind, you just walked in […]
[…] And at one time I remember I was down at Shepperton working on a commercial and somebody rang up and […]
[…] Harris: Julian Wintle, who I met once or twice at Shepperton later on and he had his own company. I […]
[…] played golf with, and that led to an interview at Shepperton with John Cox, who did his best to frighten […]
[…] 'Matinee Idol' with George King. Alan Lawson: That was at Shepperton, wasn't it? That was... Tilly Day: No, 'Matinee Idol' […]
[…] and Geoff Unsworth. He went to work at Alexander Korda’s Shepperton Studios. His first film was The Sound Barrier (1952) […]
[…] rd member, Derek Threadgall on the publication of his book SHEPPERTON STUDIOS – A PERSONAL VIEW, with a foreword by […]
[…] Well he was an amazing Matt Artist. He worked at Shepperton. I think that was his first job which, you […]