Search Results for: Shepperton

[…]reat man and I’m sure many people would think the same. I think these other studios I knew of them but I knew Ted Dooley I think it was Ted Dooley at Shepperton and Frank Buckingham  and Johnny Jay I remember.  I never really met them and I was so busy that and then I left and opened my ow[…]

[…]gs for some of the films he had been working on; she was asked to meet with Anatole Litvak to discuss The Deep Blue Sea; she met Terrance Rattigan at Shepperton; Vincent Korda was the production designer on the film.00:17:00 – 00:26:30 JR describes her initial designs for The Deep Blue Sea which Vin[…]

[…]!; the director was to be Lewis Gilbert but was later replaced by Carol Reed; neither JB nor Reed had worked on musicals; all of the film was made at Shepperton; colour was important, black Dickensian London; audiences in New York cheered during the ‘Who Will Buy’ sequence which JB wanted to be whit[…]

[…]es. Whom I had walked out on not three years before. So I was just like well actually after a couple of days we went for a walk around the grounds at Shepperton and I told him my story and he understood it and we have great friends from then on. But his technique on the film was to Ivan. They were s[…]

[…] get sound quickly onto locations out again. So as it was new, I was going out with it. And was it to Open City no trying to think they were based on Shepperton the company but Dennis Mitchell worked from his home in Hampstead. But later, of course, a lot of the blimps were  dropped in favour o[…]

[…] into the film industry. I had been drinking with a friend of mine who had been at art school, who was by this time and assistant director working at Shepperton. And heknew of a small documentary company who in the summer of nine, what was his name? Michael Grey, he was he was the assistant director[…]