[…]V all against back projection. And the famous time when he put on his hat with a was go back to the hotel was Luxor behind him he was he was in Shepperton. You were in a Michael sooner disabused him of all that. And I think it was a very important decision to actually go to the places because […]
[…]ut that's how it wasED: That's how it was, I remember if well and the book shop of course we built we built that in one of those tiny studios in Shepperton, I think it was either H or K. But we built the front of the shop we had the scene doors open and built the front of the shop in the scene […]
[…]e are supposed to get that opportunity. I still I mean, remember, when I retired three years ago, Bessie gave him one of their Sunday lunches down at Shepperton. I was the guest of honour. And I got there and I said something about that I was frustrated cinematographer. And I sat down and Ronnie Tay[…]
[…]OK. The tricks they'd get up to. I had one 35mm print with no change-over cues, and track spillage all the way through. I had a small cutting room at Shepperton at the time, and I used their theatre to view the dozen or so 35mm prints we'd ordered. And bugger me, that same rogue print with no change[…]
[…] Lewin was determined that he was going to have it as a Royal command performance. When we knew then, the Mudlark got it. And I think we were over at Shepperton and I think we had about 15 editors sound and picture editors trying to get the picture out. And Romulus we're going mad the money we were […]
