[…] career she worked with Ronnie Spencer, producing documentary films at Shepperton under the title ‘Littleton Park Film Productions’. SUMMARY: In […]
[…]e did a year after that, with Peter Sellers once again and Richard Attenborough, and I was an assistant on that. [TIME 00.21.02]That was done at Shepperton and that was a good experience, with Ted Scaife asDirector of Photography, James Hill directing. I didn’t mention on The Millionairess[…]
[…]ne? (laughs)Q: But - but so you got in to preparation for the film with the sets and the every - casting blah -blah -blah and you started shooting at Shepperton?00:29:27JOE: Yep - we started shooting at Shepperton and on the first day Sellers didn’t turn up (laughs) and I thought this is it this is […]
[…]algamated London Films with MGM, towards the end of the war. It was the one thing he always regretted... AY: That’s right... TD: He brought Shepperton instead; and MGM was always the studio and an art director called Joseph Bato... AY: Yes.TD: ...when they were building it, when Korda[…]
[…]about the [unintelligible] and so on. At one time I used to get some royalties out of them but that's all passed now. [Laughter]2. Start of career at SheppertonRP: My father knew Norman Lee who was directing films in those days.SC: He was directing at BIP [British International Pictures] and places.[…]
[…]he fault of the sound department, the boom swinger refused to go into the water, it was a poor man's life boat, it all took place seven waves away at Shepperton. The camera operator should have had an Oscar for it, he spent most of the time, or a lot of the time, in the water with a camera on his sh[…]
[…]p; 33:41 Yes. But the fact is, even now, not all of it is done that way. Sets are still built at great expense. Yeah. At Pinewood and Shepperton. Darrol Blake 33:52 But fully built, not suggested. Waris Hussein 33:54 Yes, yo[…]