[…]John Pointer. I'm still as his assistant. I worked on a film by the Boulding brothers called rotten to the core, and that was in 1965 and that was at Shepperton Studios. How Linda Wood 26:40 did you do because you've worked on the previous Yes, and I'm now moving Tony[…]
[…]s to use French ship The Implacable in Hornblower.00:20:45 – 00:29:50 The Intruder for Guy Hamilton, his first major contact with the Kordas, made at Shepperton; Star of India, which also included some ships; what the Kordas had done at Shepperton was to create “the film studio of film studios”, Fra[…]
[…] was, yes.Sydney Samuelson: What happened there? How did you get that job?Erica Masters: How did I get that job? Preminger was shooting Saint Joan at Shepperton and I used to go over there sometimes to watch it and somehow I got an introduction or I got to meet Jean Seberg and we became very friendl[…]
[…] us any major health issues. I'd be happy what she saw. I think she's perfectly happy. We did have we have no problems.We went to record the music at Shepperton when they still have the music stage. And it was composed by God is named I used to know is that he was athe man who also composed th[…]
[…]n as we had finished red shoes we went toward and home and took over. So small back room. And, and from there, we continued with Mickey and Erica, at Shepperton.Alan Lawson 30:37 What year are we now a small back room? Remember?Noreen Ackland 30:41 I think it's about 14.small[…]
[…]rse, after a bit, you were part of the team, and that was that. But it gave you great confidence so that when later on I worked mostly at Pinewood or Shepperton, or wherever, you didn't mind, you just walked in and that was that. And you got to know people in other studios too.Linda Wood : Did you w[…]
[…];television. That's right. That's right. Absolutely. It was too expensive to true to Shepperton. We very rarely shot chef. Although. There were. Occasions when cut off fr[…]
[…] understand it. REN ÉE GLYNNE: Yeah, yeah, yeah. DARROL BLAKE: Shepperton, possibly? REN ÉE GLYNNE: No. They were one -hour […]
[…] Because he was very impressed because when we were at Shepperton he said, "I don't what to post-synch in that […]
[…] that when later on I worked mostly at Pinewood or Shepperton, or wherever, you didn't mind, you just walked in […]
