[…]peaker 2 1:05:27 Yes, women in love. Yes, that was that was. That was great fun. I had previously worked on Far from the Madding Crowd at Shepperton Studios as a sound assistant. And weirdly enough, I'm not quite sure why, but I did get to know Alan Bates. Okay, and then women in love. W[…]
[…]Leslie Phillips says the Phillips was still around. Yeah. Great collection. Yes, yes, that's right. Tell me about your first impressions of coming to Shepperton because that was bigger.Unknown Speaker 23:44 Yes, it's bigger. But I like to I love all that. You see, I just love the whole a[…]
[…]ios there was Shepparton metal folds Twickenham, you name it there were all kinds of studios and I started there I got to get on my bicycle and go to Shepperton Studios. My first job as a messenger boy arrived into a fantastic period in filmmaking with these big costume dramas at Shepperton. The ide[…]
[…]and Earth, oh, oh, how wonderful. I’d forgotten.DARROL BLAKE: That was for television as I understand it.RENÉE GLYNNE: Yeah, yeah, yeah.DARROL BLAKE: Shepperton, possibly?RENÉE GLYNNE: No. They were one-hour films at Elstree, which was then called ... whatever it was called ... ATV I think.DARR[…]
[…], who was his usual self, delightful, funny, rather vague. And, ‘Yes’, he said, ‘yes, I think, I'm sure Sidney is looking for someone but he's down atShepperton finishing off Only Two Can Play’. And so that was my first meeting with Launder and Gilliat, with whom, I suppose you could say I ende[…]
[…]First day, Chobham Common, Spike Milligan, walking across the skyline, carrying a custard pie. And it was interesting; Chobham Common is not far from Shepperton Studios. In those days Shepperton had their own camera department. And I remembered that, funny enough it brings us back to the 72 filter w[…]
[…]11 No. Go get my MA he was at Denham. Yeah, he was also he was. But yeah, George Pernod?. I mean, he was also with with, with the group down at Shepperton and was with Korda and white crowd.Alan Lawson 21:32 You're the first person I've come across his work who worked with Steven D[…]
[…]y?Jim Shields: Hmm, in October, that's quite right. Then we did - we came up with Ronnie Neame. Because he was very impressed because when we were at Shepperton he said, "I don't what to post-synch in that small box of a place, I want somewhere large to post synch in." So I suggested to him that we […]
