[…]y for a very big firm like this, which had so many sets and enormous amount of light equipment involved.Roy Fowler 33:48 Do you know what Shepperton had been during the war? Totally dark.Speaker 1 33:52 They were closed down for a couple of years. Yeah, and we opened the stud[…]
[…]s a sea thing, Old BillRoy Fowler: Old Bones of the RiverMaurice Carter: Old Bones of the River was later. That was a late one because we wentover to Shepperton to make part of that, the river part. Then inbetween was anotherStevenson film which was a very good one, Owd Bob, Will Fyffe, and we made […]
[…]p; 1:30:39 In 36 Scara murder case crime, Steven. Oh, yes. Ronald Neame 1:30:49 There was another one that Shepperton round about the time of crimes of Steven Hauk, which Gabi and Pasco produced. Roy Fowler 1:30:57 I noticed Gabby[…]
[…] he just happened to be h ead of sound at Shepperton Studios which in those days was called Sound City and […]
[…] to having the studio camera workshop. Yeah, another person I can remember coming down the studio. This was weekend work, and the picture was made at Shepperton, and it was Tommy Steele in Half aSix Pence . And they did the shooting during the week at the studios, and then we had to do some sound ef[…]
[…] the East End of London. The film was made at Shepperton which had been occupied by Korda to make Sanders […]
[…] to that I was destined to a career in the film industry. One of my father's patients was a Mr John Byers and he just happened to be head of sound at Shepperton Studios which in those days was called Sound City and it was not long before I was invited to look around. Of course he had a look round my[…]
[…] was offered a job there at Sound City [N.B. ' Shepperton Studios' and 'Sound City' are synonymous in this period] by […]
[…]o far ahead.E.M. Smedley-Aston: I think I said to Mary, "I'm strictly pre-war." I mean I've got a host of stuff post-war with all the stuff with Shepperton and that sort of thing...no sorry that was pre- war. But it's very difficult to be, shall I say, not logical but controlled on this because[…]
[…]rlock to see it’s not slipped.” And this became the practice of the day and it still is I should imagine. And the same thing happened at Shepperton, I had the same experience at Shepperton. So I take a little credit in showing this bit of lace up business to these two studios.&nb[…]
