Charles W. Smith

[…]readily available. Back in 2-D, I worked for a couple of years in special effects at Pinewood, as a camera operator, on films like Reach for the Sky—I was operator on all the model aircraft shooting—and A Town Like Alice, and The Prince and the Showgirl with Marilyn Monroe and Lawrence Olivier.[…]

Joan Kemp-Welch

[…] because it was an extraordinary sensation, you know, being absolutely alone in the desert. And the stars were like the size of my fist, all over the sky I remember. And then, suddenly, I heard these voices, a great gabble of voices, coming back, and he arrived back with about ten or eleven men, Ind[…]

Yvonne Littlewood

[…]ews. And he came along and, and he was, designed always to, to be the one who had to go and link up Europe. We did things called Pictures in the Sky and we’d have seven countries, we went off around Europe and formed links and then we’d do a hook up with the whole thing on the night. And I[…]

Teddy Darvas

[…]over-reached myself, we have really got the whole bloody lot, I mean, we have got everybody coming and we really need a bar, you know, a bottle of whisky, bottle of gin, something like that'. He said 'Fine, get the manager to ring Prior and if he agrees I am OK on the extra money'. And this man Prio[…]

Peter de Normanville

[…]tely strict instructions that these were to be kept in their case and not touched at all. So immediately, I picked up a scaffolding hung all from the sky on thin nylon cord. And we're going to do a great sort of tracking shot, which is going to be my opening shot of the film. And I was on the platfo[…]

Pat Jackson

[…], a gestation period... I mean that's what I suppose creative effort is, isn't it?John Legard: Yeah.Pat Jackson: You know, it's the old famous Stravinsky story, his wife was a famous artist and came into him one morning, she'd been struggling in the morning and had produced nothing, and she came in […]

Rudolph (Rudi) Cartier

[…]t was repeated, and we couldn't go to that place because there was a build up there. So we shot it on the roof of the BBC Centre. And I looked at the sky and waited for a cloud to come over the sun. And then Peter Sargent started rolling and it was a good shot.My favourite production was Rembrandt, […]
Scroll to Top