[…]it?Ella Mallett : Yes, but the speed they play! I mean to say that half the beauty's gone.Roy Fowler : Yes. And it's no longer Beethoven's or Tchaikovsky's Pathetique.Ella Mallett : [???]Roy Fowler : But it isn't is it? It's all rock and roll.Ella Mallett : But I mean what they do is all wrong. They[…]
[…]couldn't with De Bries The man in charge of it. De Bries there was a man called Shatzow it's a J said O W and his London representative was Mr fuzhowasky stuff was he asking and we'd have a lot of trouble with focus with those De Bries there was a ball went through a quadrant on the top of the lens […]
[…]tarting doing the dissolves and fadeouts; FY talks about working with Hitchcock; they first met when Hitchcock was a title writer at Famous Players Lasky.00:20:50 – 00:29:40 FY on Bernard Wetherell and Victory; FY also worked with Jack Raymond –mainly comedies; FY talks about some other of his colle[…]
[…]nything wrong. I was mechanically as good as the machine I thought and we made dozens of films like this and the actor would sing away up against the sky and I suppose Mr. Parkinson had a cinema somewhere where the whole system was reversed. Where there was a turntable connected to a projector and y[…]
Manny Yospa (cameraman, focus puller) by admin — last modified Jul 27, 2008 02:54 PM BIOGRAPHY: Manny Yospa entered the […]
[…] charts. And I remember doing star charts of the night sky for, oh god the names do go, the big […]
[…] of the sails just enough to lead up into the sky. The name of the fellow who did all this […]
[…] light, because a snow-scene is soft light, it's a grey sky and white snow. I mean you don't have a […]
[…] conditioning." Roy Fowler : What did that open to? The sky? Ella Mallett : It moved. Roy Fowler : But […]
