[…]radio, though, because, of course, there were all these unattended studios in Exeter and Toro and places like that where people could pop in and do a sound piece. Nick Gilbey 16:51 Right? So what happened after your you were radioed? Elizabeth Bale 16:58&nb[…]
[…]sion, and I must look out for it. And I still got the record. Joyce Robinson 11:36 Did you feel more comfortable acting on sound? Lois Singer 11:39 Yes, I felt that I had more control than on the stage. Yes. And you could only have to think[…]
[…]aid, "It might make a bit of a noise going through," you know. Anyway we ran it and the old Simplex projectors - in the base of the casting above the sound-head, you used to keep packed with wadding, to absorb the oil that leaks from the bearings, you know, so it's always a gooey mess there. And whe[…]
[…]hile I was working there making dip tests for, for Radio Luxembourg was it with the, with the early morning and taped news, and the, and the, and the sound tracks were developed then in the early hours of the night.Oh.And, mm, we used to, and until we created the datum for all, all this... [Pause] O[…]
[…] enormous money has been spent recently refurbishing cinemas, multiplexes, Dolby sound, stereo sound, but nothing has been done to control […]
[…] which weren't very big studios. They were known as associated sound film industries and I wrote to a man called […]
