Norman Fisher (newsreel cameraman) 18/7/1917 - 20/11/2001 by admin — last modified Jul 27, 2008 02:12 PM Biographical information to […]
1 © BECTU History Project Recording made 26 October 1987, 111 Wardour St., London Interviewee: Ted Candy Interviewer: Roy Fowler […]
[…] a still camera supplied by the studio to take some stills and of course I'd taken some pictures of these […]
Agnes Willkie - Transcript [Interviewer is Janet McBain, Date of Recording 14 07 2018] [Start of Recording] [00:00]I: Well, this is an interview with Agnes Willkie for the Scottish Broadcasting Heritage Group's Oral History Project. The interviewer is Janet McBain, the date is 14th Ju[…]
[…]rview. Maybe I should introduce myself my name is Nigel ArthurCL: My name is Cornel Arthur (laughs)NA: We’ve met before. I’m the curator of the stills library at the British Film Institute. Cornel you’re a world renowned stills photographer, so obviously there’s an affinity between us. I wonde[…]
Jan Zilliacus Tape 1 Side ACOPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publ[…]
[…]ut moving objects around.Unknown Speaker 37:08 You got a photograph and suggest one that says it towards you. Yeah. And I've got a lot of stills from my favourite picture.Sid Cole 37:26 Controversy to sayUnknown Speaker 37:30 he burned a lot in his temper Run. Run[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
SIDE 1 VOICE FILE NAME: Peter Dimmock - Interview Interviewer Norman Swallow with Alan Lawson Key:-I: InterviewerM: Norman SwallowP: Peter DimmockS.l - sounds like I: First of all, Peter, when and where were[…]
[…]rested in theCarbro process, now that‟s the original, mm, matrix type colour process.That’s where he worked with...And he want over to Hollywood as a stills man and got in with Kalmus back in, oh, 1917, 1918 when Kalmus was only just coming out of, out of his railway truck. And of course, because of[…]