daphne-ancell-hp-transcript

DAPHNE ANCELL 1 [Side 1] [OI] The copyright of this recording is vested in the ACTT History Project. Daphne Ancell, […]

Ella Mallett

Ella Mallett (music accompanist) b. 15/4/1894 - ? by admin — last modified Jul 27, 2008 02:31 PM BIOGRAPHY: Ella […]

Michael (Mickey) Hickey

[…] to finish with her.Bob Allen: You must have worked with quite a number of big-time artists in your career?Mickey Hickey: Oh yeah, I've got a load of stills upstairs, it's a bit too short a day now to let you see. I've got some photographs of Elizabeth Taylor when she was sixteen. I did a film with […]

Dicky Leeman

[…]nother thing. I mean you're talking about the BBC not liking you working in shirt sleeves, but the thing that strikes me, when you look at production stills of a crew on the floor, say in the '30s at Elstree, they're all in shirts and ties, even if they've got they're jackets off, they've still got […]

Richard Levin

Norman Swallow  0:04  The copyright of this recording is vested in the ACTT History Project. Richard Levin, head of television design for the BBC interview on normal swallow, recorded on the third of September 1991. side one okay. First of all, when and where were you born?Richard Levin &n[…]

Brian Shemmings

TranscriptBEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the conte[…]

Margaret Thomson

Margaret Thomson Side 1Gloria Sachs  0:00  It's August the 23rd 1989. This is a recording of Margaret Thomson. Side one, tape one. Margaret, will you please like to tell me something about your, where you are, who you are, where you come from, your childhood days, anything about your early[…]

Charles Potter

[…]r finally took charge of the unit, he wasn't only making films for the syllabus, but he was responsible for various aspects of visual aids and so on, stills for not only the railways, it was, it was the docks, the road services in waterways. Perhaps you could tell us a bit about what was in mind in […]

Muriel Cole

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

Keith Nunn Comp

[…] public's attention and the year that we used to have stills from the films in a still case to display […]
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