[…] one, we got about 8 minutes into it and the stills man decided to take a flash because he thought […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…] you get the stock from, you're gonna get it from Kodak, you might be given some short ends. Whereas now, everything is so accessible all the digital stills cameras you can shoot movie with, you can shoot in the log format, you can grade colour, correct your own footage, experiment, even on your eye[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
Glen Michael [Start of Recording] [00:00] R: What's the intro? How are you going to do it? I: I'll do a quick ID. Right, interview with Glen Michael. Interviewer, John Frame. Date of interview - 20 May 2017. Right then! Glad you could get along. How did you first get into Scottis[…]
[…]was the sound, the audio bit? R: Yes, that was radio. Yes, Radio Hairmyres 'cause obviously, at that time, no one had cameras. They might've had stills cameras but no one had video cameras so sound would be something that would be very easy or easier to get into. I: So and that's when you […]
[…]ufficient. You see. And now more and more they are doing less and less, because there is not much internal image building going on. I think even with stills er - what theregions will do, I think, is, is what stills they want, they will take themselves or get the local chemist, you know, to loan them[…]
Interviewed by Andrew Dawson, University of Greenwich, 24 August 2010 Roy, before we actually get started on the interview can you give me your date of birth please? It was the tenth of March 1927. Okay. You’re one of the founders of The ACT BECTU History Proje[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]