[…]early had that kind of advantage. I'd been doing film...not film camera work, but still camera work from the age of about seven - I've still got some stills I took on an [Ensign?] plate camera...er...which aren't bad pictures, I mean rather than just a snapshot, um, at the age of seven or eight, and[…]
[…]ill in but Alright, sounds okay. I thought actually, I was going to the Film Library, because that's what he that's what he worked on ended up in the stills library. Hence the comment, you know, what a photograph is, well, I've got a camera. Hey, I've got several cameras actually look at even more n[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]old fashioned house. Oh they were fairly big the sets, yes. Yes. It was on that that...Max Roche my former agent and former fiancé, he was taking the stills, he was a still cameraman, yes I: Kay Walsh was in that, in her pre David Lean daysCB: In The Mind of Mr Reader, was she?I: I’ve got her listed[…]
[…]that the H certificate was in at the time and King Kong played at our local cinema. And of course in those days every cinema had a board outside with stills so you could see what sort of film you were planning to go and see a King Kong was there. And of course we wanted couldn't go in to see King Ko[…]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW No 0735.Gerry Morrissey [GM] interviewed by Roy Lockett [RL] NB This is a transcript of the full 3-part interview, numbered as 1A, 1B, 2 and 3. The time codes in this section refer to Part 1 A. and cover pages 1 – 16inc. Roy Lockett:0:0[…]
Sheelagh Reece DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…]expecteddisasters, any more fatalitiesMaurice Carter: No we didn't, we had one very narrow escape in the double sequence ofthe Spit, they took up the stills man to get pUblicity photographs and that belly, had tobelly land. But they got away with it, they got away with everything, absolutelymarvelou[…]
[…] my former agent and former fiancé, he was taking the stills, he was a still cameraman, yes I: Kay W […]
Sheelagh Reece DRAFT. Tape 1 Side A 1 This%recording%was%transcribed%by%funds%from%the%AHRC9funded%‘History%of%Women%in%British%Film%and%Television%project,%193391989’,%led%by%Dr%Melanie%Bell%(Principal%Investigator,%University%of%Leeds)%and%Dr%Vicky%Ball%(Co9Investigator,%De%Montfort%University).%(2015).% BECTU History Project Interview no: 249 Interviewee: Sheelagh Rees Interviewer: Norman […]
