Interview No 204 Dennis Main Wilson.This transcript version was created using Otter software for the first three sides of the interview, which were edited and combined with a converted and edited PDF file of the remaining four sides. Consequently, the time codes are more infrequent on sides fo[…]
The copyright of this recording is vested in the BECTU History Project, the interview is with James Gilbert interviewed by John Taylor with possible interruptions by Stephen Peet. James Gilbert has mainly been a producer and director for television and the date is 5 March 1990, File No 130.SIDE 1, T[…]
[…][SC laughs]. Yes...Tilly Day: ...Very amazed!Sidney Cole: Yes, very. You were talking about er... Well, we were looking at some fascinating stills that you have in your collection, and one of them was a scene in Ceylon. That was a picture called 'The Beachcomber' wasn't it?Tilly Day: […]
[…] the Navy, and one was a reporter, one was a stills photographer, and one was for television. Er...So consequently there […]
[…] talking about er... Well, we were looking at some fascinating stills that you have in your collection, and one of […]
TRANSCRIPTION OF INTERVIEW WITH BERNIE ANDREWS Interview #1 – 1 Feb 2007Roll 1Interviewer – Mike Dick (MD)Interviewee – Bernie Andrews (BA) Ellipses ‘…’ denote omissions or hesitations Timings – about every 5:00 minutes or so Tape 1 00:00 MDOK Bernie, can yo[…]
[…] and they would only allow er three people; three with the Army, three with the Air Force, and three with the Navy, and one was a reporter, one was a stills photographer, and one was for television. Er...So consequently there were about forty odd cameramen there, forty odd reporters and, you know, l[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview […]
Sheila Collins DRAFT Page 1 This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film […]
[…]le setting with natives swinging on trap pieces and all sorts of things. And I never forget that that was an experience outside. There were beautiful stills big stills of Kong. And what the substance of the picture was so one of the first few lines of the music came and one with a curtain opening an[…]
