[…]people who were not liked for one reason or another, or distrusted? Jonathan Balcon 29:23 Well not, Jack Dooley, the stills man, was always a bit gritty but I don't think he meant to be I just think he felt you know, being a stills camera man in a movie films [LAUGHT[…]
BECTU History Project Interview with ROY FOWLER – producer, director, writerInterview Date(s):13 June 2000Interview number:479Interviewers: Rodney Giesler Side 1Rodney Giesler:This is an interview with Roy Fowler recorded by Rodney Giesler on the 13 June 2000 for the BECTU oral history arc[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
The copyright of this recording is vested in the ACTT History Project. The Subject is Angela Allen interviewed by Linda Wood, November 27th 1990, File 168Honorary Member of the Guild of British Camera Technicians (GBCT) and was awarded the MBE (Member of the British Empire) in the Queen's New Year’s[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]nd every village, we had to stop while the expedition was officially welcomed by the male. And so it was rather a slow process in the end, taking the stills camera man who we had met before, and Griff pill, the physiologist, we went ahead to our hotel, and they were hungry. And we gave them scramble[…]
[…]g rooms, the recording rooms and the theatre and a dark room. Then on the next floor were�Roy Fowler: The dark room was used for what, for tests, for stills?Reg Sutton: The sound recordists when they wanted to change their magazines, optical recording. The next floor up was the executives, Sir Gordo[…]
[…] The dark room was used for what, for tests, for stills? Reg Sutton: The sound recordists when they wanted to […]
