Dave Robson 0:00 racter The subject is Richard Marden, documentary and Feature Film Editor. He has also worked in sound department interviewed by John Legard, the date is 17 to January 1996. This is side one, and it's file number 361.Alan Legard 0:29 Dick. Now, perhaps you co[…]
[…]st cause that. Work come across any anyway, so Leslie, who's who was apprenticed when he was 13, I think, as an engineer, and served his time and did stills, and eventually did three strip stills on the old Cobra process, and then joined calmness in Hollywood. NothingUnknown Speaker 45:21 &nbs[…]
[…] I came in touch with Frank. And there are some stills here of that film and I think we were...I […]
[…]Frank I think was responsible for the adaptation and the screenplay, so that was really the first time I came in touch with Frank. And there are some stills here of that film and I think we were...I think it was quite a big one. I think we were probably about five weeks, which something special for […]
[…] built on the wasteland at the back. So on the right hand side of the foyer was a room which had pigeon holes. And in that pigeon holes, posters, and stills were put in alphabetical order by film title. And then each cinema had to send Mr. Smith at the city, the stills they needed for their coming p[…]
Julie Cave Interview Number: 380 Interviewee: Julie CaveInterviewers: Norman Swallow, Alan LawsonTranscriber: Alexis PooleNorman Swallow: Copyright of this recording is vested in the BECTU History Project. Julia Cave, television director and producer. Interviewer Norman[…]
[…]f pictures I'd taken and develop myself and all that stuff. Hoping that somebody I could persuade somebody to look at it, you see. And of course, the stills man did. And I was orientated towards stills, because I've never even given a thought I had couldn't, of course, I mean, cinema photography was[…]
[…]. [Break in Recording]Bob Allen: This is side two of the interview with Fred Tomlin. Right okay, now then you've got a super collection of production stills here, crews and actual shootings, so can we go straight through them and talk about them?Fred Tomlin: Yeah, the reason we got these is because […]
[…] okay, now then you've got a super collection of production stills here, crews and actual shootings, so can we go […]
[Side One] This is the twenty-sixth of November 1992, this is the BECTU History Project. Interview number 269 Harry Courcha conducted by Alan Sapper. The recording rests with The BECTU History Project.Harry, mm, when were you born?Second of March 1925.And where?Sixty-seven Queensdown Road, Holloway,[…]
