[…]s, I think, and the idea was that they had telecine in them so that they could show films and they had a little interview place and they could put up stills or drawings and cover things of that sort. They could do a number of different things, or they could even go and film around in the location th[…]
[…] who wasUnknown Speaker 13:55 who had a cockroach, Newman, 200 foot, Newman, who was on the staff of the railway. He'd been employed as a stills photographer. He also did some 16 mill he had a 16 millimeter camera. Can't remember what for, andUnknown Speaker 14:13 Bill was th[…]
[…] then became their Production Manager and he was sort ofvirtually running the operational side of Movietone until the War. He was a first class aerialphotographer, having been in the RAF as a Pilot. He specialised in film work from the air and heassigned himself to the flying jobs.Q Can you tell me […]
[…]hat was wonderful. So independent prime is was really just back projection. A little bit more so that was about they had the stereo optical which was stills plates, which I thought were very good. And a lot of marvellous equipment designed for all sorts of things by people built by Vickers. Most of […]
[…]now, Ken, he was on that court with me. I have another very good friend with whom I'm still in touch with called Douglas Rendell he, he's basically a stills, stills man, he made the film you made in the year was about the matrix, a ship canal, which is still away and shown all over the place, you kn[…]
BECTU History Project - Interview No. 185 [Copyright Pat Jackson] Transcription Date: 2002-02-06Interview Date: 1991-03-22 Interviewer: John LegardInterviewee: Pat Jackson Tape 1, Side 1 John Legard: Well Pat, it's very good of you to come along today and talk to us. P[…]
[…]at's sort of a date for that bit of chance. [00:05:03] And then, at school, when I was about 14, the history Master John Russell, who was a keen photographer suggested I should learn developing and printing in the darkroom and I got immediately delighted with this and particularly watching phot[…]
BECTU History Project - Interview No. 160[Copyright BECTU]Transcription Date: 2003-08-29Interview Date: 1990-10-15Interviewer: Margaret Thomson and John TaylorInterviewee: Charles WilderTape 1, Side 1Margaret Thomson: ACT History Project number 160, Side one. We're interviewing Charles Wilder whose […]
[…] career? Mickey Hickey: Oh yeah, I've got a load of stills upstairs, it's a bit too short a day now […]
[…] career? Mickey Hickey: Oh yeah, I've got a load of stills upstairs, it's a bit too short a day now […]
