[…]nd every village, we had to stop while the expedition was officially welcomed by the male. And so it was rather a slow process in the end, taking the stills camera man who we had met before, and Griff pill, the physiologist, we went ahead to our hotel, and they were hungry. And we gave them scramble[…]
[…]e tech. Like we can't think of his Christian name, but his surname was Harris, ron ron Harris, who was the camera man. And Freddie White, who was the stills photographer in charge of that unit. There's a bit of a connotation there. Just quickly, very aggressive, as you said, What happened? His daugh[…]
[…]anted us to film unusual cases, and there were plenty. Particularly orthopaedic cases where Bedu had broken limbs and then had them badly set. We did stills as well in the theatres. We did a number of main films for the medical department. On the rehabilitation of disabled people for Arab audiences.[…]
[…]ill in but Alright, sounds okay. I thought actually, I was going to the Film Library, because that's what he that's what he worked on ended up in the stills library. Hence the comment, you know, what a photograph is, well, I've got a camera. Hey, I've got several cameras actually look at even more n[…]
24 Jun 1988The copyright of this recording is vested in the ACTT History Project. Sidney Samuelson CBE, Entrepreneur, Chairman of Samuelson Film Service. Interviewer, Alan LawsonSide One. Q: Sidney, when and where were you born?SAMUELSON: I was born in Paddington in Warrington Crescent I […]
[…] broken limbs and then had them badly set. We did stills as well in the theatres. We did a number […]
[…]le setting with natives swinging on trap pieces and all sorts of things. And I never forget that that was an experience outside. There were beautiful stills big stills of Kong. And what the substance of the picture was so one of the first few lines of the music came and one with a curtain opening an[…]
[…]came under, I suppose it would have been the Minister of Information, and they had a regional office in Nairobi, where I was the in charge of all the stills and but I managed to fringe onto films because Bob Kingston Davis, who was the colonial film editor, with a Michael Stuart McAllister, who I'm […]
[…]inst a rock [LAUGHTER] Maid of the Mountains right? The cameraman who took over I saw recently was Ernie Palmer. He had a mate used to do stills called Jock somebody. They were great Chinas you know, well we all were in those early days.But I can always remember that Maid of the Mo[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
