[…]early had that kind of advantage. I'd been doing film...not film camera work, but still camera work from the age of about seven - I've still got some stills I took on an [Ensign?] plate camera...er...which aren't bad pictures, I mean rather than just a snapshot, um, at the age of seven or eight, and[…]
[…][SC laughs]. Yes...Tilly Day: ...Very amazed!Sidney Cole: Yes, very. You were talking about er... Well, we were looking at some fascinating stills that you have in your collection, and one of them was a scene in Ceylon. That was a picture called 'The Beachcomber' wasn't it?Tilly Day: […]
[…] talking about er... Well, we were looking at some fascinating stills that you have in your collection, and one of […]
[…] About his brother, the dummy [Harpo] who was one of the greatest performers ever on the screen: silly bastard – I didn’t get a photo with him. I had photographers there who would take shots – I talked with him, I lie awake at nights now thinking “Groucho Marx, I could have had a bloody picture with[…]
[…]expecteddisasters, any more fatalitiesMaurice Carter: No we didn't, we had one very narrow escape in the double sequence ofthe Spit, they took up the stills man to get pUblicity photographs and that belly, had tobelly land. But they got away with it, they got away with everything, absolutelymarvelou[…]
[…]old fashioned house. Oh they were fairly big the sets, yes. Yes. It was on that that...Max Roche my former agent and former fiancé, he was taking the stills, he was a still cameraman, yes I: Kay Walsh was in that, in her pre David Lean daysCB: In The Mind of Mr Reader, was she?I: I’ve got her listed[…]
[…]he time came. And I don't think they were held up for 10 minutes, but the I got some, I got some fascinating material there, both both movie but also stills. I took a lot of still stuff in the imaginary line. I also, which I paralleled with a visit to the marine Chandon champagne. I have to call it […]
[…] my former agent and former fiancé, he was taking the stills, he was a still cameraman, yes I: Kay W […]
[…]people who were not liked for one reason or another, or distrusted? Jonathan Balcon 29:23 Well not, Jack Dooley, the stills man, was always a bit gritty but I don't think he meant to be I just think he felt you know, being a stills camera man in a movie films [LAUGHT[…]
[…]f pictures I'd taken and develop myself and all that stuff. Hoping that somebody I could persuade somebody to look at it, you see. And of course, the stills man did. And I was orientated towards stills, because I've never even given a thought I had couldn't, of course, I mean, cinema photography was[…]
