[…] therefore into the family business which he never liked. He was never really a happy as a business man and always really behind it or wanted to be a photographer and therefore his hobby of photography was the most important thing in his life was actually more important to him than his work and beca[…]
[…]e. And there we were. So we were encouraged provisionally, to form an office to rent an office, and we rented an office in station road herro above a photographer's shop, which was now being run by an ex crown employee, a camera assistant. His name escapes me, I can't remember his name. And we paid […]
[…]emento of the time but it's, on the back of it it's got a stamp by Sidney Samuelson, Sidney Samuels who was one of the cameramen but also a very good photographer so that would place it at CBS in whenever early 50s. So Yul went off to do that and I went through the King and I quite, I shouldn’t get […]
[…]that the H certificate was in at the time and King Kong played at our local cinema. And of course in those days every cinema had a board outside with stills so you could see what sort of film you were planning to go and see a King Kong was there. And of course we wanted couldn't go in to see King Ko[…]
[…]uhr because they were very anxious to film the results of the bombing. They didn't really know what it was like and they wanted it on film as well as stills. My section was attached – I had two sergeant cameramen, transport and aircraft – we were attached to a group called T force. They were scienti[…]
[…] the Navy, and one was a reporter, one was a stills photographer, and one was for television. Er...So consequently there were […]
[…] and they would only allow er three people; three with the Army, three with the Air Force, and three with the Navy, and one was a reporter, one was a stills photographer, and one was for television. Er...So consequently there were about forty odd cameramen there, forty odd reporters and, you know, l[…]
[…]eah, so that's lucky and lucky.Richard Marden 40:21 Things. Um, John was an actor, I came down from Oxford, and he was always a very good photographer. And he became character actor, because he was he was neverAlan Legard 40:35 used to see him occasionally andRichard Marden &[…]
Sheelagh Reece DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
Sheelagh Reece DRAFT. Tape 1 Side A 1 This%recording%was%transcribed%by%funds%from%the%AHRC9funded%‘History%of%Women%in%British%Film%and%Television%project,%193391989’,%led%by%Dr%Melanie%Bell%(Principal%Investigator,%University%of%Leeds)%and%Dr%Vicky%Ball%(Co9Investigator,%De%Montfort%University).%(2015).% BECTU History Project Interview no: 249 Interviewee: Sheelagh Rees Interviewer: Norman […]
