[…]It’s encouragement.DMW: Yes. But also it gives him his timing. Because his script was written to be broken up with an audience in mind. They used his photographers sketch and his golfing sketch, both of which were written for an audience, laughter to break it up. And did it straight with no audience[…]
TRANSCRIPTION OF INTERVIEW WITH BERNIE ANDREWS Interview #1 – 1 Feb 2007Roll 1Interviewer – Mike Dick (MD)Interviewee – Bernie Andrews (BA) Ellipses ‘…’ denote omissions or hesitations Timings – about every 5:00 minutes or so Tape 1 00:00 MDOK Bernie, can yo[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]John Mills leaps overboard to save the old convict called Magwitch. That's spelled ma G wa Tch, and that was shot in the tank at Pinewood I have some stills of that with with a with a wooden paddle wheel going so it was shot in safety. But the paddle steamer sequence took a lot of time, with weather[…]
[…]nly a couple of elderly ladies who had a flat in our house, they used to take the Daily Telegraph for what's that's worth and they came across an old stills man who wanted an apprentice. He really wanted money actually. His name was Lewis Protheroe - you remember Lewis?Alan Lawson: YesFreddie Franci[…]
[…]sort of I’ve got like a thousand following me all going like this “take my picture” you know. And I was like the son of… they thought I was the local photographer I think… sort of had to escape to the unit to erm... sort of ask them to bail me out. And explain, get somebody to explain that we had th[…]
[…] I came in touch with Frank. And there are some stills here of that film and I think we were...I […]
[…]Frank I think was responsible for the adaptation and the screenplay, so that was really the first time I came in touch with Frank. And there are some stills here of that film and I think we were...I think it was quite a big one. I think we were probably about five weeks, which something special for […]
[…]dium.SC: Unless it's Caligari or something.EC: Yes. Absolutely. That was one of the ones we used to talk about a lot. I have got some of the original stills for Caligari down here.SC: So you went to Crown. That must have been just before the war started.EC: Yes. Suddenly the war was there and I was […]
[…]g rooms, the recording rooms and the theatre and a dark room. Then on the next floor were�Roy Fowler: The dark room was used for what, for tests, for stills?Reg Sutton: The sound recordists when they wanted to change their magazines, optical recording. The next floor up was the executives, Sir Gordo[…]
