[…] else put me onto a studio over at Cricklewood - Stoll's at Cricklewood, and I worked over there as an […]
[…] I can remember at the Bush and the same at Stoll’s labs, silver recovery. Bill Girdlestone: Oh, yes. Well in […]
[…]ora Le Breton the female, they were both well-known then, very well-known. He was called 'Kipps' because he played the lead in H.G. Wells's Kipps for Stoll and the name had stuck to him. And after he'd finished with my little film he went to Hollywood and did very well for a time.Roy Fowler: You cov[…]
[…]We had two cameras, a wooden Debrie so called, and a metal Debrie - Super Parvo, and we made a great number of two reel films some of which we did at Stolls Studios usually using sets left over from the previous production. The sort of films we were doing, these were silent films, had the titles lik[…]
[…] the l ease of it, and then into the old Stoll rehearsal room on the roof of the Stoll Theatre […]
[…]of above you kind of thing, you know. And the one thing I forgot to tell you was that in the period up to 1927, because they were building we went to Stoll's Studio at Cricklewood and we made a film there. Again I can't remember the title, but Sinclair Hill was the director and he also made one at S[…]
[…] Pamela Mann-Francis 23:47 No Alan Lawson 23:48 Then, I suppose the next one was at Stoll's. They hadn't got a proper continuity girl. There was a girl who came, I think, from the accounts department, and did it. Hated it, hated it,&n[…]