[…]y morning. (TIME 13:20) You can be on that.” So that’s how I got my first start. It was introduced by Noele Gordon and David Stoll.DARROL BLAKE: Where did that happen in Kingsway, or Birmingham, or?NEVILLE WORTMAN: No, that was in St. Mary Abbots Place. Do […]
[…]h we didn't have all this circus that runs around nowadays. I mean when I think of the size of that film and we had when we had myself I was and John Stoll. Was the art director and we had to convert a vessel built where they had to we'd take it right out of the water and build it into a paddle sea […]
[…] so in the end it appeared in the sale at Stoll studios, but it was, again, advanced fast of it's […]
[…] And I suggested that Prince Littler, who owned the Moss Stoll group, become the chairman. And we went on from […]
[…] Sidney Cole: Yes I remember Wembley because I started at Stoll Studios, and then I was at Wembley. I was […]
[…] the early 1920s, Elvey had become the chief director at Stoll studios, where he worked particularly on literary adaptations. His […]
[…] he was a great chara cter. He started in the Stoll labs around 1905, well very early on. He practically […]
[…] of 21. He started out as a ‘scenario reader’ at Stoll Studios, and quickly struck up a friendship with Thorold […]
[…] When he got the chance, he left BIP for the Stoll Studios at Cricklewood, where attitudes were more civilised. By […]
