[…] and said, "Yes. Come to Shell Mex House on the Strand." Great big tall building, you know. So I went […]
[…]them, I won't tell the old man about it." [laughs] So I wrote off for a interview, and they wrote back and said, "Yes. Come to Shell Mex House on the Strand." Great big tall building, you know. So I went to this - overshadowed by this huge building, went upstairs to I don't know, the 18th floor, not[…]
[…] to take him over to Shell Mex's building in The Strand." So gradually I got to know, because there were […]
[…] particularly of a newsreel that I saw. And there's another strand which is a more interactive approach, like yours... I […]
[…]nt in." And he said, "They're the best we've seen, in animation," you know. And he says, "We're going to take him over to Shell Mex's building in The Strand." So gradually I got to know, because there were several times I was there at Elton's house, you know - it was a home from home for anybody in […]
[…]ey did. Yes, yes. And they were making a film called... well it was made on theVirgin Islands, Virgin Island. Do you remember that, about a bird stranded on the beach? &n[…]
[…]s print of the film. And a lot of ballyhoo and, preceded by the band of the Territorials - about fifty Territorials you know - they marched along The Strand and up Trafalgar Square and into Wardour Street, and he thought it was a great publicity stunt, which it was of course, but the trouble is that[…]
[…]d very evocative too. It made you think what a terrible society it was of the past. It all helped socialism.Interviewer (unidentified): There are two strands in the way housing is presented. One is: this is the plan we've made for you. This is the world we're going to build for you. I'm thinking par[…]