[…] dramatisations from contemporary novels. And so we did other single strands, but the major one was the contemporary one and […]
[…]ourse, I believed myself. And with a group of girls, we made an improvised drama, which is one of the things that I've actually, you know, one of the strands in my work I've carried through ever since. And then somebody from Channel Four randomly saw this film - which I have to say was not my finest[…]
[…]any at that time. So, it had a lot of series, likeDisappearing World and, it did do quite a few series, so, I did the Styal series as well, four films in Styal prison. And... I can’t... I think the [inaudible]. And then for the BBC as well, I did quite a few for the BBC.BECTU History Proje[…]
[…]I. Speaker 1 0:01 Uh, now you talked about court case? Yeah, there were two, two court cases, which which ran consecutively, and the strand. What's the name the law courts? Yes, and one of them concerned this chap who'd got a crew together as the producer and employer, he'd taken th[…]
[…]d the night before I went there I'd gone into a hostel and under my pillow I put my money and everything and in the morning it had gone. And so I was stranded in Los Angeles without even any money. And there was this big American guy there, I said Is it possible to get a loan or something, I don't k[…]
[…]you know I mean it’s a lot of rubbish01:05:36JOE: You make a film here and they say this is a very interesting British film and its gets shown in the Strand On the Green or or the Everyman and that’s it - that’s it - I mean every movie I’ve made got general release and went into profit - so I […]
[…] was unlucky enough to be one of the foreign nationals stranded in Kuwait when it was invaded by Iraq in […]
[…]en thought, well, what does an actress do? She does what the producer tells her. What has the producer got? He's only got the stage. It has got to be films! I mean, really, the sky's the limit, it's got to be films, and from that moment onwards I did everything I could to make films.Sydney Samuelson[…]
[…]film that was to be about London. He gave me a few tips and we started filming from the same spots. One of the spots I remember was St Clement in the Strand and there a scaffolding had been erected in order to clean the spire at the top, he thought it would be a very good idea to climb to the top an[…]
[…] called Tony Polini, who was a Lighting Electrician in STV and we were on News one night and we got a call to go up to Bridge of Orchy to film lories stranded in the snow so that's up in Rannoch Moor, which is quite high up and windy and flat and gets a lot of snow so we went up to, I mean we had a […]