Doris Martin

[…]here sometimes and stay the weekend and type them and we did very well. Then he wanted to direct. By this time I'd heard about continuity work in the studio and I thought that's a job I'd like. [Laughter] I didn't know anything about it, I'd never been in a studio then but anyhow I mentioned it to h[…]

Jimmy Nairn

[…]ting. You were taken up to the, or, you were offered, wanted students to go and make noises and just to get used to being a radio student, in a radio studio. But television was just not discussed. Not thought of. I mean this is 1953 to 1956 so, you know, television was something that happened in Lon[…]

Cecil Buckland

[…]d, "There's not much money in it, I don't think!" I said, "No, no, that's alright!" So I came along to STV after a while and I went to the Continuity Studio which was like a telephone box, basically speaking! And you spoke in to the camera and you sat on your own and I started to tell the story of S[…]

Mike Hodges

[…]e down and put the prompter on and all the rest of it. It was an immense the immense experience one the fit, you know, how fearful it is to go into a studio and you see them at the beginning with I think, like going into cathedral and you're you know, you've got to operate in vast and daunting place[…]
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