Cyril Page

[…] Fitzpatrick? Alan Lawson: Yes. Cyril Page: Well, he...he rented the studio... Alan Lawson: [interrupts] Yes...yes... Cyril Page: He was doing […]

Fred Tomlin

[…]cal people for crowd scenes, everybody would be in it from round about you see, and there would be comings and goings of these people going into this studio.Well my mother - we had a shop and she used to - it was a cook shop, she used to do dinners and things like that. And she used to get people ro[…]

Alan Lawson

[…]ic film and there wasn't a great deal you could see down in the labs, but that was the duties of the camera assistant.Arthur Graham: At that time the studios hadn't been rebuilt.Alan Lawson: Only the big stage, that had been soundproofed. The silent version of Devil's Maze and High Treason, I think […]

L

[…] to Western Electric. And we were the only Western Electric studio in England at that time. So I suppose... Rodney […]

Cyril Page

[…]h, I think I...I've got a connection somewhere..." Anyway, about a couple of months later, he said "Now, if you ring up a Mr Bunny Williams at Ealing Studios...er the old ATP..." I said "Er...yes" He said "and he may be able to help you." So I rang up Mr Williams, and of course I was always taught t[…]

A A (Tubby) Englander

[…]o it was just a question of getting a job. And as it happened, as luck would have it, it was purely and simply luck, the first job I got was at Stoll Studios in Cricklewood. And I was living at the time in Christchurch Avenue which was only, in those days, a penny bus ride from Stoll Studios at Cric[…]

Peggy Gick

[…] little, always. And everything of course was done in the studio, there was practically no location work at all in […]

Alan Lawson

[…] proofing of the big stage. The small stage, the glass studio was still a glass studio when I left. We […]

Peggy Gick

[…]here was I left to cope with this film. [Laughs.]John Legard: Now...sorry, this was being shot at Ealing?Peggy Gick: At Ealing.John Legard: At Ealing Studios, yeah, hmm...Peggy Gick: And we built the deck of the ship right up on scaffolding so we [were] above the height of the [local] building, so b[…]

F E (Ernie) Diamond

[…]eneral strike came after and I was broken on that. And I don't know I was sitting outside and the Brothers Band used to collect all the props for the studio work. Your brother the brother did that as a transport. So it was in one special studio or the creative studios. And I was sitting there and th[…]
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