[…]s. When you talk to them about what they see on the screen. And it's interesting that - and certainly until very recently - some of the big Hollywood studios were taking digital material, even things that had originated digitally back to film for that, for their master material. And I find all that […]
[…]Unknown Speaker 2:31 And then you started in the film industry when,Unknown Speaker 2:37 as in 1930 I started at Gainsborough studios in Islam what made you chuck up first and go there? Or I, I absolutely just love photography doing at that time. Stills no but when I was I su[…]
[…]s really, so it was really after that. Anyway, I never got my chronology wrong. I'm not sure. I'm not sure whether, whether I was attached to reading studios after that, or whether it was in between, whether it was in between the two invasions, I'm not sure. But anyway, I was attached to eating stud[…]
[…]ou wanted to go into the film industry?Howard Lanning 9:37 Well, considering that my father was always involved, and I was often visiting studios, and which I found exciting, I'm obviously very slow because I had no real interest in the film industry. Even though I kind of I grew up with[…]
[…]sborough anyway. And so they asked me if I'd do it and I said, "Yes," of course I would and I went over and met Greta Gynt and posed her in the still studio. Got the photographs and took them back, and worked out this portrait, which was, I must admit, given full credit, [chuckles] because the camer[…]
[…]ackground you could change it. This was the theory and the practice. And I had virtually ten years at Pinewood doing this and we went to the smallest studios, for example Pathé in Wardour Street to film a Triumph motor car dashing through the Alps on a children's film. We of course had to squeeze up[…]
[…]going to be a first shot". Stuart's shot were about this long and every time they changed the title I lost a frame.JL: How long did they stay at that studio.DA: They stayed there till the early 50s, there was a man there, who was doing architectural drawings of the new Film Board, but I don't think […]
[…] lost a frame.!JL: How long did they stay at that studio. DA: They stayed there till the early 50s, there […]
[…] where they did get collection and eventually one of us had to take them up to the lab because the labs were in those days. The labs were joining the studios. So as a matter of taking them crosswind hours remember I used to put them in the wrong place and but girdlestone bills girdlestone was out th[…]
[…] to Western Electric. And we were the only Western Electric studio in England at that time. So I suppose... Rodney […]
