[…]ssues of Eastmancolor fading, for example. Are they actively involved in that, through your experience?SL: Yeah, I mean, it’s kind of… it does depend studio-by-studio. Some studios have made a photochemical preservation of every film in their vault. Really only big a Hollywood studio that has, kind […]
[…]d in in in. Going on to well I had a terrible system actually. They used to use for going across to do video. So I know the school but it was it's in studio. The thing. With mirrors and God knows what. But it wasn't very successful but we never saw that. I mean. We we just had the rushes and that wa[…]
[…]ays before the war started. And I managed to get the last eighteen months of my career in the RAF, I got transferred to the RAF Film Unit at Pinewood Studios. And one day I was sent for by our commanding officer, which was Teddy Baird, and Pat Moyner[?], and they said, "The Rank Organisation are loo[…]
[…] is vested in the BECTU History Project.Interviewer Bob AllenThis is an interview with Peter Handford, sound recordist, and it is taking place in his studio where most of the train records for which he is quite famous have been put together at his home. The date is the 19 November 1988.The ques[…]
[…] Grove, they did everything there. Lime Grove RF: Including the studio? 9 section time year side 1 tape 1 terms […]
[…]pensive for us’. And I think we got axed probably along the sort of lines. Now look at Piers Morgan’s show, erm, it’s cheap to make, it’s done in the studio, show a few stills, a little bit of archive, Bob’s your uncle, four million people watch it. Er, obviously, er, you know, and it’s more mainstr[…]
[…]tical side of film making.NA: presumably it gave you a discipline as well about sort of schedules and..CL: and also you saw people come from the film studios to the labs. Particularly one I remember Julius Hagen who ran I think Twickenham studios. He came in a white Rolls Royce and with a blac[…]
[…]hem took shares in the company, and they've done very well with them. And when we went out to rank a man, of course, he eventually he, he got the Fox Studios and he took shares in universal. And with that, of course, he got a lot of marvellous films, they were the Judy Garland film, not necessarily […]
[…]e up. And one of the interesting things, again going back to this Company of Youth as distinct from charm school, of course as well as the four major studios: Ealing, Shepherd’s Bush, Pinewood and Denham, there was Highbury, where John Croydon made those excellent little supporting pictures, and it […]
[…] sort of group of… one casting director at each major studio and they worked principally through them. Olive and Ronnie […]
