[…] he was known as Tango top, and he always dressed immaculately in a suit and bow tie and everything gray sweat back hair, and he was the mixer in the studio that I realized I was going to have to work in, rather than a previous theatre that I was expecting to I was also introduced that day to two pe[…]
[…]e, you know, put outside the theatre in older shop portraits. So he mentioned it to Mason, and he said, Well, that'd be interested in going to a film studio. And costs I was and the reason he was able to do that was that his son was called Bert Mason. And Bert Mason was an operator at Riverside stud[…]
[…];20:44 Yes Particularly? One, you know, I moved over to the new laboratory, the Elstree, which, of course, as you know, was alongside the studios there. And so we had the constant pressure from the boys shooting the film to get it out as quickly as possible. And indeed, they did have a d[…]
[…];20:44 Yes Particularly? One, you know, I moved over to the new laboratory, the Elstree, which, of course, as you know, was alongside the studios there. And so we had the constant pressure from the boys shooting the film to get it out as quickly as possible. And indeed, they did have a d[…]
[…] didn't think anything of it. Tim Aymes 5:36 Just Cecil Hepworth produced talking pictures every friday from that 1907 the studios at Walton On , Thames. They are all sort of incredible experiences. Stanley Watkins 5:47 You see, the trouble, trou[…]
[…], which is suddenly the Birmingham mayor, was going to be there and everybody just shaking hands. What happened was people coming into the same music studio, people were talking, to this day, that, amongst the people who are trying to kill each other there are friendships that are more solid than pe[…]
[…]for Disney. He did some work on Fantasia, and he was also involved in a lot of the development of different sound techniques for recording in British studios. He worked with people like John Cox and John Aldred. The interesting thing about my father was that he was an American citizen, and when the […]
[…] a tarter and I think I lasted for about two weeks because my shorthand was appalling and I got bitten by the bug. I realised I wanted to work in the studios, I really always knew I was a lousy secretary, I never wanted to learn shorthand typing, I was forced into it because I didn’t think I really […]
[…]Side 2Roy Fowler 0:03 I better overlap that just slightly. You had to make deliveries toKeith Ewart 0:05 the village. No, his studio was what he called in the village street that was Lower East Side. Well, it's not the village at all. And I tell you something, the the only wa[…]
