[…]for the newsreel.Speaker 1 45:48 Oh, that was the labs at Lam grove. They did everything there,Roy Fowler 45:53 including the studio. Oh, yes, yeah. Do you remember Bill Goldston? Yes.Speaker 1 45:58 And then he went to ranks. He decided at Denham, I knew Bill gor[…]
[…]where Essex had a fabulous technical infrastructure of three telephone exchanges for a phone for each students' residence, they had a broadcast radio studio which was designed to BBC standards with PPMs with Janet Fields with all the bits you would expect to find in an actual broadcast studio. They […]
[…]t, we were also involved in carrying film back and forth to Wardour Street I remember that distinctly MT: What lab did you use? MG: We used Studio Film Labs and the first use of sound was when we recorded commentary at Studio Film and then it just a question of typing the film and running […]
[…] an interview. I went there and it was the offices of PCT, Provincial Cinematograph Theatres, and I got the job. And I'd a letter to go to Twickenham Studio and I went there, that's still as an office clerk, which wasn't my scene. Well, while I was there I got to know a fellow who was joining the fo[…]
[…] the job. And I'd a letter to go to Twickenham Studio and I went there, that's still as an office […]
[…]ropes and the lines and were awfully nice, so I really enjoyed myself.What was, what did, what was your, what were your first impressions of the film studio and about the shooting and the other people, cam..., cam..., who was the cameraman for example?Yes, the, well the cameraman was Jack Cardiff. A[…]
[…]n Fisher: Once again I had an introduction to John Grierson through Sir Gordon Craig, again, and I was taken on as assistant sound, incidentally, the studio manager then at Blackheath was Ralph Bond, and there were a lot of well-known people there, oh, Cavalcanti, Harry Watt, Arthur Coldstream, many[…]
[…] and I was taken on as assistant sound, incidentally, the studio manager then at Blackheath was Ralph Bond, and there […]
[…]reat friend of mine.Yes, yes.And he used to come and he used to call me his little Linda Darnell. [Laughter][Laughter]And he asked me to go up in the studios, because we had studios at the top of Pathé, and do a film for him. And that was a night out, a box of chocolates, a bunch of flowers and a tr[…]
[…]ing for his later career; working with Ralph Keene on Under Night Streets.00:29:00 – 00:38:00 Shredded Wheat commercial with Richard Lester at Viking Studios all using reflected light; Lester asked DW to work on The Knack and light the film the same way; DW believed that direct lighting looks artifi[…]
