[…] think, 1956 was the year of Hungary, the year of Suez which politically stirred things up. Also strangely enough it […]
[…]o was head of documentaries I presume. So that was an independent production made for the BBC. So we did several like that &[…]
[…] of his name properly in a minute. Top, top, top director. [Karel Reisz] DARROL BLAKE: And you first met Joe … […]
[…]and he doesn’t like women, and he really liked me, andHe was my patron, to me I think ... he got me out of the into being a Director in the BBC.I love him, love him.So, you know, I’m very fond of Ned, or was, as he’s now, asRENÉE GLYNNE: We’re drinking. Or I’m, I mean, you are not dri[…]
[…]folio, which I did and he got in touch with Roy Oxley2 who had been a fellow art director, now at this time, which by now was 1951 he was at the BBC. Now the head of design there at that time was Peter Bax3 and they, now what happened, oh I think it was the usual thing, they said apply, an[…]
[…]l, Frank Sainsbury, john Taylor, all sorts of people in there, the dog and duck, which I used to go into a lot of time with my great friend, the film director. Micro law. Then there was the, the the winebar, and the Mandrake, and the gargoyle, and aerials, or the colony, Rome and the French BB and t[…]
[…] later on… No, yes. Was the enormous resources of The BBC. Oh yes. In every department you could think of. Yes. […]
[…] the years when Hitchcock was more or less a journeyman director... E.M. Smedley-Aston: Well Hitch left about the first or second […]
[…]y don't you go and into the BBC, and try and get into directing through editing? Well, I hadn't thought of that. And I had no idea how I got into the BBC. But it turned out that there was an advertisement for trainee assistant film editors. SoUnknown Speaker 5:00 I thought well, nothing […]