[…]essary for him as Michael barrier. He worked for me as a director when I was producing. I worked with him before I got my department of my own at the BBC. I don't know the amount of could have done that with Linda Wood 0:52Yes, it's very difficult role reversal. Can you also sort of expla[…]
[…]ter she No, she the next one was waves no flamingos. Laughter wait. Which was I think I told artists television that I wanted to do for Oh no, it was BBC. are gonna rag on those at the BBC. And yes, I've seen a gone down very well, apparently with the BBC and I was invited to a small lunch with Gunn[…]
[…]e after GBI, yes, Roy, because I just to sort of read cap, to bring me up to date on it, we had our offices on the fifth floor. That was the managing director. Was just Davis, and there was a G Jackson script writer was Harold Goodwin, general production. Chap was Derek Dane, Eric or Derek Eric, Eri[…]
[…] of sound and colour (particularly Technicolor) presented to the art director. Williams recalls his involvement with David Rawnsley and the Independent […]
[…]p;7:05 Well, James James wrote the comments for the film on East Africa. James wrote the commentary for me. And he got us off a party line from BBC. But he talked to me an awful lot about what I'd seen and what I thought, you know, how have you actually sort of struck me as somebody who's neve[…]
[…] - when I first got this assignment from Spot News, they asked me to contact BBC news to work out and to get a liaison agreement between Spot and the BBC. This was in '52. And the BBC then, their newsreel was a magazine programme that they used to produce up at Alexandra Palace and it was the first […]
[…]s how it all began in actualfact. But you, you had to write this thing.Y es.And then you would have these enormous meetings with the producer and the director.Oh.And the editor and, and then you would have all Wardour Street coming in to the act. It was their main advertising in actual fact.Y es.Whe[…]
[…]well since and that was a long time ago. She eventually took a job as a buyer, property buyer. Although she is freelance, she is principally with the BBC.R. F. Ah, well that is a very satisfying thing anyway.C. D. She goes under the name of Dorothy Elliott. That was her married name. Apart from that[…]
[…] retarded of buildings. And of course later on I went to work because. The BBC. I think and probably asked you this just in case I haven't. But when d[…]
[…]s Bill Salter with the pipe.Fred Tomlin: That's Bill Salter and this is um, what's the director's name? Oh...Marcel Varnel, this is Marcel Varnel the director.Bob Allen: Ah hmm. And the cameraman?Fred Tomlin: That's Arthur Crabtree.Bob Allen: Oh gracious! It is, yes?Fred Tomlin: And of course these […]
